The Story
On The Twentieth Century
Music
CY COLEMAN

Book & Lyrics
BETTY COMDEN & ADOLPH GREEN
Egomaniacal producer Oscar Jaffee is involved in a volatile personal and professional relationship with temperamental film actress Lily Garland (nee Mildred Plotka). On the skids after four flops in a row, and with his theater in foreclosure, Jaffee books a suite on the luxury train the 20th Century Limited, since he knows that among his fellow passengers are Garland and her new beau, narcissistic matinee heartthrob Bruce Granit. As the train leaves Chicago for New York City, he hopes to lure the now train-captive Garland back to the stage - his stage - and to salvage his sinking career. Garland, who abhors her former Svengali-like mentor, is just as determined to escape his charms, and a battle of wits begins. A subplot involves religious fanatic Letitia Primrose, as she implores one and all to "repent."

PHOTOS
Original Broadway Production
2015 Broadway Production
Artworks/ Posters

VIDEOS
John Cullum, Judy Kaye, Imogene Coca, Kevin Kline and the original Broadway company perform "On The Twentieth Century" at the Tony Awards.

MUSIC
I've Got It All
Kristin Chenoweth & Peter Gallagher
2015 Broadway Cast Recording

THE STORY

ACT ONE

It is Chicago in the 1930s, and the closing night of Oscar Jaffee's latest theatrical disaster, a play about Joan of Arc. Producer/director Oscar, has failed to pay his cast for the last two weeks and they are not a very happy crew. Oscar escapes the angry company, leaving a message for his press agent, Owen O'Malley, and business manager, Oliver Webb, to meet him tomorrow on the Twentieth Century, a luxury liner bound for New York.

On the train, Oscar tells his two aides that, in spite of four consecutive failures, he is not ready to be throw in the towel. Oscar then explains to Owen and Oliver the reason for the trip and for his insistence on obtaining Drawing Room A: none other than Lily Garland will be boarding the train at Englewood and taking up occupancy in Drawing Room B. Lily, once lowly accompanist Mildred Plotka from the Bronx, had been discovered by Oscar four years ago. He had transformed her into a star of the theatre, and becoming lovers in the process. But the temperaments of the pair made the relationship volatile and ultimately impossible. Lily left Oscar and the theatre behind and became a movie star who wins Oscars - without the surname of Jaffee. Oscar is hoping to lure Lily back to him and sign her to a contract. In a flashback, we see how Oscar made nobody Mildred Plotka into star Lily Garland.

Oscar is approached by the conductor, who is also just happens to be a playwright, then Lily boards the train. She bids an excessively dramatic farewell to the dashing Bruce Granit, her current co-star and lover. He has seized on Lily as his meal ticket. Lily is dismayed when Bruce reappears, having decided not to leave her alone on the trip after all. Oliver and Owen present themselves to Lily and tell her that Oscar needs her desperately. Lily's response: she'd rather die than go back to Oscar. In another flashback, we see Lily and Oscar in happier times, when they were everything to each other.

In the observation car, we meet another passenger, Mrs. Letitia Primrose. Mrs. Primrose, the founder and president of Primrose Restoria Pills, claims to be a pious doer of good works. In reality she is an insane religious fanatic, recently escaped from an asylum and also a passer of phoney cheques. In addition, she is the one responsible for putting up stickers all over the train that read, "Repent for the time is at hand." Alone, Mrs. Primrose sings out her credo.

Inspired by the stickers, Oscar decides to tempt Lily back with the promise to star her in The Passion of Mary Magdalen. In their separate suites, Oscar and Bruce, former and current flame of Lily, admit to themselves their need for Lily. Each resolves to keep Lily to himself.

Oscar finally confronts Lily in person. She describes the wonders of her new life as a Hollywood goddess, while Oscar accuses her of selling out to the world of celluloid. Meanwhile, Oliver encounters Mrs. Primrose who, as part of her religious mission, offers to provide the financing for Oscar's Magdalen play. If Lily has given Oscar the brush off, his fortunes seem to be rising


ACT TWO

Four porters appear in front of the curtain to offer their philosophy of life. Mrs. Primrose presents Oscar with a cheque for $200,000 who shows the cheque to Lily and tells her his plan; Lily is carried away by the idea of playing the woman who "has kept the whole world weeping for centuries." As Lily ponders signing Oscar's contract, she and the other five principal characters voice their sentiments. Lily weakens when Mrs. Primrose offers to finance a Magdalen movie in addition to the stage play. But Oliver, Owen, Oscar and Lily soon are horrified to learn the truth about Mrs. Primrose. Oscar sees his dreams slipping down the drain, while Lily is furious that Oscar has made a fool of her. Max Jacobs, a successful Broadway producer (who was once Oscar's office boy), arrives. Max also has a play for Lily, a vehicle written by Somerset Maugham, but Lily is drawn to the role of Mary Magdalen. Alone, Lily ponders her options, finally deciding to accept Max's offer.

Oscar has decided to end it all and distributes his worldly possessions to the loyal Owen and Oliver. Mrs. Primrose attempts to take a gun from Oscar's hand, and it goes off. Oscar emerges unscathed but decides to take advantage of the situation. Pretending to be near death, Oscar asks to see Lily once more and, as his "last request," asks her to sign his contract. Lily signs, but, when Oscar reveals that he is very much alive, Lily reveals that she signed the contract as one "Peter Rabbit." Clearly made for each other, Lily and Oscar embrace.

LIBRETTO

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CAST & CREATIVES
Creative
Producer ROUNDABOUT THEATRE COMPANY
Direction SCOTT ELLIS
Musical Staging WARREN CARLYLE
Orchestrations LARRY HOCHMAN
Scenic Design DAVID ROCKWELL
Costume Design WILLIAM IVEY LONG
Lighting Design DONALD HOLDER
Sound Design JON WESTON
Cast
Oscar Jaffee PETER GALLAGHER
Lily Garland KRISTIN CHENOWETH
Bruce Granit ANDY KARL
Oliver Webb MARK LINN-BAKER
Owen O'Malley MICHAEL McGRATH
Letitia Primrose MARY LOUISE WILSON
Creative
Producer THE PRODUCERS CIRCLE 2 INC, ROBERT FRYER, MARY LEA JOHNSON, JAMES CRESSON, MARTIN RICHARDS
Direction HAROLD PRINCE
Musical Staging LARRY FULLER
Orchestrations HERSHY KAY
Scenic Design ROBIN WAGNER
Costume Design FLORENCE KLOTZ
Lighting Design KEN BILLINGTON
Sound Design ROBIN WAGNER
Cast
Oscar Jaffee JOHN CULLUM
Lily Garland MADELINE KAHN
Lily Garland JUDY KAYE (Replacement)
Letitia Primrose IMOGENE COCA
Bruce Granit KEVIN KLINE
Max Jacobs GEORGE LEE ANDREWS
MUSICAL NUMBERS
ACT ONE

Stranded AgainBishop, Actor and Singers
On the Twentieth CenturyPorters, Letitia Primrose, Conductor Flanagan, Train Secretary Rogers and Passengers
I Rise AgainOscar Jaffee, Owen O'Malley and Oliver Webb
Indian Maiden's LamentImelda and Lily Garland
VeroniqueLily Garland and Male Singers
I Have Written a PlayConductor Flanagan
TogetherPorters, Passengers and Oscar Jaffee
NeverLily Garland, Owen O'Malley and Oliver Webb
Our Private WorldLily Garland and Oscar Jaffee
RepentLetitia Primrose
MineOscar Jaffee and Bruce Granit
I've Got It AllLily Garland and Oscar Jaffee
On the Twentieth Century (Reprise)Company


ACT TWO

Entr'actePorters
Five ZerosOwen O'Malley, Oliver Webb, Letitia Primrose and Oscar Jaffee
SextetOwen O'Malley, Oliver Webb, Oscar Jaffee, Letitia Primrose, Lily Garland and Bruce Granit
She's a NutCompany
Max JacobsMax Jacobs
BabbetteLily Garland
The LegacyOscar Jaffee
Lily, OscarLily Garland and Oscar Jaffee

A Funny Thing Happened On The Way To The Forum
Far From Heaven
Hamilton
SIGHTS & SOUNDS

Original Broadway Production
2015 Broadway Production
Artworks/ Posters

John Cullum, Judy Kaye, Imogene Coca, Kevin Kline and the original Broadway company perform "On The Twentieth Century" at the Tony Awards.

I've Got It All Kristin Chenoweth & Peter Gallagher 2015 Broadway Cast Recording

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