The Story
When Pigs Fly
Book
HOWARD CRABTREE

Music
DICK GALLAGHER

Lyrics
MARK WALDROP
This hit Off-Broadway musical revue takes a hilarious look at gay life in the 1990s. It's a grab bag of songs, dances, sketches, and running gags - unified by a gay sensibility that combines a love of traditional musical theatre, a taste for outrageous visual humour, and a delight in shameless wordplay. These elements are strung upon the slenderest of plot threads.

PHOTOS
Original Off-Broadway Production
Artworks/ Posters

VIDEOS
Check back soon when a video for When Pigs Fly becomes available.

MUSIC
You've Got To Stay In The Game
Stanley Bojarski, John Treacy Egan, David Pevsner, Michael West, Ensemble
Original Cast Recording

THE STORY

ACT ONE

Prologue. Excelsior Springs High School, 1972. Miss Roundhole - the guidance counsellor from Hell - and her "sensible" career recommendations will return to torment Howard throughout the show as things go progressively more awry. One question haunts him: could she have been right? (NOTE For those of you who might not know, Dream Curly is a featured role in Oklahoma!. In high school productions it's usually delegated to any boy able-or willing-to dance in a "dream ballet"). We boomerang back to the here and now. Howard, joined by his pastel-clad Dream Curly cohorts, kicks off the evening with a traditional bouncy title song. During the number Howard's high school Dream Curly ensemble (a rather crude attempt at cowboy glamour featuring denim, glitter, glue, and decorative ribbon) is replaced by a snappier, all-pink version with rhinestones and spangled vinyl chaps.

You've Got To Stay In the Game. Advice to the lovelorn from four big queens.The mistresses of Hearts, Diamonds, Spades, and Clubs see what's in the cards for players who've been disappointed in romance.

Torch #1. Torch singers traditionally love someone who doesn't love them. But Jay, clad in an impeccable white dinner jacket and brandishing a chiffon hankie, carries the genre to extremes.

Light In the Loafers. Song-and-dance men David and John strike a blow for daring to be who you are, illuminating their point with light-up footwear.

Coming Attractions. Stanley as Carol Ann Knippel, a small-town theatrical impresario with a mission: to save musical comedy as we know it. Armed only with paper, pen-and a blissful lack of taste-she gives it her all. Along the way she's aided and abetted by John as Quasimodo, Jay as Esmeralda, David and Michael as gargoyles, and John and Jay again acting as butlers to a certain ageing Broadway diva.

Not All Man. David plays a hunky centaur who's never bothered to look over his shoulder and see what's instantly apparent to everyone else.

Torch #2. Jay serves up another helping of unrequited love. This seems to be a pattern with him.

A Patriotic Finale. Yes, it's that staple of the revue form an old-fashioned flag waver. John, in a Music Man inspired band uniform, leads the cast in a spirited reminder to those who may have forgotten that America's strength lies in her diversity. (Stanley puts in an appearance as the Statue of Liberty.)


ACT TWO

Wear Your Vanity with Pride. Restoration-era dandies and their ladies, staggering under oversized wigs and suffocated by their corsets- but willing to endure any torment for the sake of looking good-make a surprising point: the audience has more in common with them than it might imagine. In a typical Crabtree touch, by the end of the number, the ladies are literally wearing their dressing tables as skirts.

Hawaiian Wedding Day. Michael, in sailor's whites, imagines the possibilities.

Shaft Of Love. Jay, as a nearsighted Cupid, presents three hapless victims of his erratic archery: John, Stanley, and Michael, looking like refugees from a bad '70s lounge act.They sport sparkly pink arrows through the heart, head, and crotch, respectively.

Sam and Me. David with a ditty that proves people aren't always who and what you think they are. Stanley, as usual, gets in the last word.

Bigger Is Better. John, plumed and bejeweled a la Betty Grable, becomes a generously proportioned showgirl- the perfect embodiment of Howard's entertainment credo.

Torch #3. This man needs help.

Laughing Matters. Jay drops the chiffon hankie and addresses audience members who might feel that-in view of what's going on in the world today-the evening's frivolity is... um... inappropriate.

Miss Roundhole Returns/Over the Top/When Pigs Fly (Reprise). Howard exorcises Miss Roundhole and finishes his show with one bold master stroke: an opulent Ziegfeld-style showgirl parade wherein the "showgirls" are decked out in-among other things- kitty-kat wall clocks, rubber chickens, plastic swan planters, and shower curtains trimmed in toilet brushes. Howard is transformed into the dreamiest Dream Curly imaginable, complete with twenty-gallon hat and white feather chaps sprinkled with strobing stars. Individuality triumphs over conformity. And - oh, yes - a pig flies.

LIBRETTO

Check back soon when libretto and/or lyrics for When Pigs Fly becomes available.

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CAST & CREATIVES
Creative
Producer JANE M. ABERNATHY, PETER HAUSER, GAIL HOMER SEAY
Direction MARK WALDROP
Musical Director PHILIP FORTENBERRY
Scenic Design PETER HAUSER
Costume Design HOWARD CRABTREE
Lighting Design PETER HAUSER
Sound Design ROB GORTON
Cast
Performer STANLEY BOJARSKI
Performer JOHN TREACY EGAN
Performer DAVID PEVSNER
Performer JAY ROGERS
Performer MICHAEL WEST
MUSICAL NUMBERS
ACT ONE

Prologue
You've Got To Stay In the Game
Torch #1
Light In the Loafers
Coming Attractions
Not All Man
Torch #2
A Patriotic Finale


ACT TWO

Wear Your Vanity with Pride
Hawaiian Wedding Day
Shaft Of Love
Sam and Me
Bigger Is Better
Torch #3
Laughing Matters
Miss Roundhole Returns
Over the Top
When Pigs Fly (Reprise)

Bring It On
Fucking Up Everything
Dracula
SIGHTS & SOUNDS

Original Off-Broadway Production
Artworks/ Posters

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Check back later when the videos for When Pigs Fly becomes available.

You've Got To Stay In The Game Stanley Bojarski, John Treacy Egan, David Pevsner, Michael West, Ensemble Original Cast Recording

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